In Van Dijck’s book The Culture of Connectivity, he poses
the question “To what extent are users empowered or constrained by platforms to
fashion their unique identity and stylize their self-presentation?” (p.32-33).
In other words in what ways do social media platforms such as Tinder do to either
empower self creation or restrain users from being able to express themselves.
We can look at this through the implicit participation, which refers to the
usage inscribed by the design of the app and the coding used as well as the
explicit participation, which refers to how the actual users interact and maneuver
around these mechanisms.
First, its protocols
require pre-setting a limited geographical perimeter, age frame, choosing of images
and device geo-localization for possible matches to appear. The users are able
to set their own parameters quickly and efficiently and are able to change them
at any point in time, however although these options might seem to give users
optimal freedom the design of these options are actually somewhat restricting.
Options such as setting your geographical perimeter only allows you to set it to
a certain distance away from you unless you wish to pay for the app. As well, you
are only allowed to have a maximum 6 pictures and a 500 word maximum description.
Remedies created by Tinder for some of these issues are the paid options such
as Tinder Plus which gives access to features such as the rewind option for a
swipe mistake, the premium option which allows unlimited swipes, as well as the
passport feature which allows users to set their geo-localization to anywhere
in the world. In their article “Screened Intimacies: The Swipe Logic” by Gaby
David and Carolina Cambre, they discuss the issues that arise in the free model
of the app when paid upgrades are introduced. They stated that “after Tinder
developers provided privileges based on subscriptions, the standard free model
began to limit matches” (p.4). The app’s algorithms function began to decrease
the number of viewable profiles as its use increases, unless paid for the free
model only gives users 20 consecutive right swipes and if you run out of right
swipes you become temporarily locked out of swiping. However Tinder users have managed
to creatively get past this by changing the settings from “searching men and
women” to “searching only men” or “searching only women,” a new cache of
profiles became available.
One of the constraints
of Tinder on its users has now been updated. Tinder now allows transgenders to
identify themselves rather than just the standard male or female options. It
now allows its users to choose transgender or gender-nonconforming identities
in order to remedy the persistent harassment against trans people on the
service. The abuse came from transgender users being reported as abusive on the
site from others based on who they are not what they were saying or doing,
these abuse reports meant that trans people were blocked from using the service
by its algorithms. The Movement has now taken form in a hashtag #alltypesallswypes
to bring awareness to this issue and created a video that is posted below.
https://youtu.be/XP90QAnmaA4
Work Cited:
David, Gaby, and
Carolina Cambre. "Screened Intimacies: Tinder and the Swipe Logic." Social Media &
Society, vol. 2, no. 2, 2016, pp. 1-11.
Stack, Liam. "Transgender on Tinder: Now You Can Identify Yourself That Way." New York Times15 Nov. 2016. Accessed 12 Dec. 2016.
Van Dijck, J. (2013). The culture
of connectivity: A critical history of social media. Oxford: Oxford University Press.
No comments:
Post a Comment